Sandberg ( Lights Out) helming the follow up to 2014's hugely successful Annabelle, which scared up nearly $257 million at the worldwide box office during its run in theaters. She's back! From New Line Cinema comes Annabelle: Creation, with David F. If you can even make it past this latest sneak peek, that is. And it promises to be something pretty scary. The Next Chapter in the The Conjuring Universe is almost upon us. Today, we have a very creepy new trailer along with a beautiful looking one-sheet that arrived in the wee hours of the night. But you'll soon learn when Annabelle: Creation hits theaters everywhere this summer.
But guess what? You don't know the true story. It seems it's not just Annabelle: Creation that is stuck in the 1950s.Maybe you consider yourself a fan of the devil doll Annabelle.
Sandberg's last film, Lights Out, also took aim at disability by concluding that depression can be rooted out – through the act of suicide. Sandberg's film faithfully hews to Hollywood's old tropes about disability as a "burden" to the able-bodied and as weakness to be preyed on. Bateman's character Janice has recently been disabled by a polio outbreak and it's her physical weakness, the movie suggests, that makes her the doll's first target.
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However, Sandberg does nothing to update his horror film from some of the genre's more damaging stereotypes. Horror movies have always loved the terror of young girls (and orphans), and Bateman plays the quivering-lipped innocent with aplomb. The cast's standout kid is Bateman who gets the most screen time and uses it as well as she can.
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The script is full of mawkish dialogue weakly delivered by the film's child actors. The first film's screenwriter, Gary Dauberman, returned for Annabelle: Creation, though he didn't do anyone a favour. Mullins has a chic Phantom of the Opera aesthetic that adds a little panache to the movie's drab setting, if not the terror it intended. Miranda Otto ( The Lord of the Rings, Homeland) and Anthony LaPaglia (Joe from the 1990s cult classic Empire Records) play the unwittingly sadistic parents who invite the wards into their demonic funhouse. These good Catholic girls are taken in by the Mullins – a doll-making couple whose daughter Annabelle died in an accident 12 years prior. Eustache Home for Girls looking for forever homes. The doe-eyed best friends are two of the six orphans of the St.
The film, set in the dusty 1950s for no apparent reason other than to justify it as a pre-prequel, stars Stephanie Sigman ( Spectre) as the God-fearing nun Sister Charlotte, with Lulu Wilson and Talitha Bateman.
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The Annabelle series lazily trades on the uncanny, hoping to rouse familiar fears without explaining why. For Freud, a man who devoted his life and work to charting the origin of these fears and anxieties, "the 'uncanny' is that class of the terrifying which leads back to something long known to us, once very familiar." In other words, the sunken eyes of a doll can send a chill up the spine not because they look strange or foreign, but because there is something faintly recognizable in their blank stare. Annabelle: Creation is a series of slowly opened doors and close-ups of a truly ugly doll whose makeup must have been done in the dark by a deranged artist similarly possessed.ĭolls are perfect fodder for horror because their lifeless bodies are blank canvases for fears and anxieties – it's the imagination of the audience that does all the work. The movie, which banks on the popularity of the rest of the series rather than concern itself with details such as motive, doesn't add up to much. Leonetti) in an ever-expanding The Conjuring franchise. Sandberg, Annabelle: Creation is a jumpy, Exorcist-inspired second prequel (the first, simply Annabelle, was helmed by John R. The why is harder to pin down in this unintentionally campy horror.ĭirected by David F. Two grief-stricken parents invite a ragtag group of orphans and their nun into their haunted home to be terrorized by a possessed doll. The story of Annabelle: Creation is easily told.